Tag Archives: alt-rock

LISTEN: You’ll Be ‘Better Off’ After That Breakup

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It can be tough to see at first, but the truth is, a lot of breakups are for the best.

New Jersey-based alt-rockers The Break Plans deliver that message in empowering fashion on their latest single, “Better Off” (released May 10). The tune combines scorching guitar work with an anthemic pop sensibility, providing a lift to anyone struggling with what comes next after a relationship.

“Heartbreak is really hard and can be incredibly lonely,” shares vocalist Colton Braun. “I wanted to talk about those experiences so many of us have had. What I’ve learned is that there’s a great deal of freedom that comes from finally letting go. Writing these songs with my band was the most cathartic thing I’ve ever done. I hope our listeners can relate and find comfort in it.”

The single — the first from the band’s debut EP, Mistakes Are a Friend of Mine (due Fall 2024) — marks a watershed moment in the band’s creative process, with guitarist Mikey Strawz noting that the band feels free to create music they love.

 “This is our third cycle of releasing new music, and we’re allowing each other total freedom to write the songs that we want to make,” Strawz said. “It’s completely uninhibited and has helped the writing process immensely. After working with so many talented producers (Carl Bahner -The Wombats, Rob Chiarappa – Gray Scale/Jake Miller, Corey Mouch-Knox) and keeping a keen eye on modern pop music, we have a clear direction of what works for us.”

All Poets & Heroes Want You to Make Something of Your Life

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A good friend can be the guiding force which leads us toward self-improvement.

All Poets & Heroes explore an unconventional version of this dynamic on their new tune, “Singlehanded.” Influenced by the slacker rock of the 90s and early 2000s, the band tells the story of a person with untapped potential, and the loyal stoner friend who witnesses him wasting away into oblivion.

“Centered around a bad day — and seemingly a wasted life — a person who was told they were ‘good as gold’ is finding that life isn’t turning out the way they had hoped,” said lead vocalist Rob McCall. “He visits his stoner friend and pisses away another day. However, it’s the stoner friend, who narrates the story, that sees this person clearly and is attempting to snap them out of there woes, urging them to claim their dignity by accepting that life is hard, and trying to get them to work at bettering themselves.”

“And for fun, there’s a reference to masturbation.”

Want even more reason for excitement? All Poets & Heroes will be a part of ARREIS’ and Local Nation’s Battle of the Bands, taking place June 12 at The End. Learn more about that here!

PHOTOS: Aaron Lee Tasjan at The Blue Room

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Aaron Lee Tasjan at The Blue Room (Nashville, TN)

Aaron Lee Tasjan is a performer’s performer; one whose love of art and experimentation combines in tremendous fashion with a distinct reverence for the rock and roll traditions which came before him. With a knack for storytelling and a sharp wit to match, he invites each member of his audience to make a personal connection with his music.

That’s what we had a chance to experience last Thursday at The Blue Room, and we were more than happy to take the ride!

Tasjan’s performance was in celebration of his new album, Stellar Evolution. Released on April 12, the full-length offering explores and shatters sonic boundaries, while offering personal takes on sobriety (“The Drugs Did Me”), the queer adolescent experience (“Horror Of It All”), and the state of American political culture (“I Love America Better Than You”).

Set highlights — aside from the aforementioned fan favorites — included special guest appearances by renowned guitarist, songwriter, and producer Butch Walker; indie rock standout Molly Martin (who opened the evening), and interdisciplinary musician and producer Lafemmebear on an exciting rendition of Lucinda Williams’ “Drunken Angel.” Walker and Lafemmebear stayed onstage to add their respective flavors to Tasjan’s 2021 song, “Up All Night.”

Of the new tunes, “Pants” brought funky, feel-good vibes to accompany a message empowering the audience to feel comfortable within their own skin. The beachy, romantic “Ocean Drive” brought a sense of serenity into the room, as it captured the essence of feeling at home with the one you love.

Tasjan even gave us a preview of what is to come post-Stellar Evolution by performing two new songs. “The Real” felt like a love letter to those in attendance; one which gave Tasjan a chance to showcase his guitar chops, with an emotive solo reminiscent of Richie Sambora at his most soulful. Immediately thereafter, “Punk Rock Joy” was a high-energy banger which made a statement — no matter what the world, society, or a government takes away from us, it can’t have what’s inside our hearts.

WATCH: Pillow Queens Embrace Intoxicating Love on ‘Heavy Pour’

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We may still be a long way off from spooky season, but that doesn’t mean we can’t deliver something to haunt you.

In this case, it’s the hypnotic, churning alt-rock of Pillow Queens, who have released a video for their song, “Heavy Pour.” The video — released in advance of their forthcoming LP, Name Your Sorrow (out Friday, April 19) — was shot at the historic Glenmaroon House in Dublin, Ireland — a Tudor-style Edwardian mansion, dating back to the 1850s.

Directed by Kate Dolan, the video is inspired by classic silent films, including The Cabinet Of Dr. Caligari, Faust and Nosferatu.

“The song felt like a haunting and I felt the video needed to be something quite stylistic. I came up with the idea of the music video being a long lost silent film that has never been seen, a haunted piece of art buried in an attic somewhere. Then, as the band performs the cursed film is purged, burning up. The band are always up for having some fun, so the shoot was a lot of fun, and we played a lot on set.”

Sonically, “Heavy Pour” borrows influence from the guitar distortion of 1990s grunge, with moments of clarity breaking through in the bridge. The soundscape was crafted to fit the song’s theme of choosing to love courageously, even as the world’s judgment finds its way in.

“A lot of the lines in this song could convey the typical sweetness of a love song, but it has brief moments of outside perspectives that cast doubt over the conviction represented,” said lead vocalist, guitarist, and bassist Pamela Connelly. “The song tries to show the ‘heavy pour’ as a compulsion that while having moments of joy, ultimately heightens personal insecurities.”

Meanwhile in the chorus, the band tackles common gender miscorrelations with the line, “I want more, but I’m not man enough.”

“We wanted to delve into and dissect the idea that one’s gender expression is impacted by their perceived level of courage,” said guitarist, bassist, and vocalist Sarah Corcoran. “Spoiler: it’s not. All genders can be courageous and/or scared.”

LISTEN: Bobby Mahoney Offers a Sign of Summer with ‘Empty Passenger Seats’

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Photo credit: Hannah Greve

Fun fact: Although UMC itself got its start in Pennsylvania as Lehigh Valley Underground, I’m actually a New Jersey native. And so, I’m greatly immersed in the Garden State’s storied rock and roll lineage — from Bruce Springsteen, to Bon Jovi, to The Gaslight Anthem and more.

Today, it seems that my original home state will be carrying its grand rock tradition into a new generation.

Responsible for carrying the torch is Bobby Mahoney, who released the high-powered summer anthem, “Empty Passenger Seats,” this past Friday. That timelessly youthful Jersey Shore sound is alive and well, with a punk edge breaking through by way of Mahoney’s rugged vocal.

“I initially wrote the first part of ‘Empty Passenger Seats’ while we were driving home overnight after playing Richmond, VA for the first time,” Mahoney said. “We were driving up the NJ Turnpike as the sun was rising. We had this feeling of accomplishment that we were doing exactly what we should be doing, and that imagery became the bridge of the song. I then spent time with our friend Dan Cohen (Creating Clementine) on the riff and the chorus in East Brunswick at my parents’ house. I remember also working on it with the band in a Motel 6 in Carlisle, PA, and listening to rough mixes in a parking lot in Georgia.”

He continues, “It is very much a road song, and a good representation of what we do as a band.”

I’ll definitely have this one blaring as I cruise down the Parkway on the way to Cape May later this summer. For now, enjoy it as a clear sign that summer is near!

LISTEN: Ren Richards Honors Her Grandmother on ‘Paper Moons’

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“I’ll stay with you
Right here in the picture that your memory drew
Charcoal skies and glitter stars, and paper moons
I’ll stay with you”

-Ren Richards, “Paper Moons”

This one is for anybody who has ever struggled to let go.

This past Friday, Nashville-based songstress Ren Richards gave us “Paper Moons,” a melancholic indie rock offering written as “a poignant tribute to her grandmother’s fight with dementia.”

The track begins with the distant sound of children’s laughter, representative of the innocence lost as our memories fade from view. Nostalgic, 90s alternative-influenced guitar tones chime in gently atop a somber, steadfast acoustic progression, working together with Richards’ sad, yet soothing melody to illustrate the bittersweet divide between the opportunity to cherish the moments we’ve shared, and the anguish of longing for days gone by.

“Paper Moons” was produced by Blake Mohler (Happy Landing) and Wes Harllee (Ruthie Collins), and it’s right here for you.

UMC20: An Explosive Start to April (April 3, 2024)

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Rock and roll is alive and well, as you’ll hear throughout the first half of this week’s UMC20.

This week’s compilation is frontloaded with a variety of electric guitar sounds and turbo-powered swagger. But, as always, there’s something for everyone this week. Americana lovers will want to pay close attention to the middle of the playlist, while pop, soul, and hip hop fans will particularly enjoy the latter portions.

And, as always, we’ve got some useful nuggets from that Official Podcast of ours waiting for you at the end. Check those out — especially if you fancy yourself an artistpreneur!

Track listing
Another Dead Rockstar – 1985 (Can You Help Me)
Gloom Girl MFG – Crimes
The Mad Sugars – Lost Among the Avenues
The Fever Haze – Last Night I Killed a Man
JT Loux – look into my eyes
Lurve – Run, Get Drunk, and Fall in Love Again
Lone Tree – Miss You
OPIATE – Lay
Black Suit Devil – Passage
Medium Build – Knowing U Exist
Old 97’s – Somebody
Travis Feutz – Utah
The Flying Raye – The Ballad of Leslie Cochran
Swamp Dogg ft. Jenny Lewis – Count The Days
Annie Scherer – You Like The Blues
Eliza Hardy Jones – Counterfeit
Rex & The Rhyhtm – Umbrella
Lindsey Lomis – Long Way Down
pher, – moon
Spence Brown – By My Lonely

LISTEN: Black Suit Devil Addresses Mental Health on ‘Passage’

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Conversations about mental health came to the societal forefront during the COVID-19 pandemic.

That period also proved prolific for songwriter Andy Du Rego who, under his Black Suit Devil project, is preparing to release the 8-song album, The Eternal Sleep, on June 28.

“I had a burst of creativity, due to everything going on in the world and my personal life,” Du Rego said. “The songs flowed out of me easily, as I had a lot inside that I wanted to say. After recording the bed tracks, I didn’t revisit the songs for quite some time, as I worked on my own mental and physical health.”

The album was recorded over several years, in three different locations — Brantford, Ontario; Hastings, Ontario; and San Pancho, Mexico — as life’s moments inspired Du Rego to move multiple times.

Through life’s changes, he always came back to the music with new inspiration.

“I record all of my own music in my home studio by myself, which allows me to record at my convenience, and when I feel inspired,” Du Rego said. “The recording process picked back up months later with a six-week drum session in Brantford, before moving to Hastings, where the bulk of the record was recorded, on and off, in a two-year period. After leaving Hastings, I headed to San Pancho with my recording gear for the winter, where I recorded all the vocals for the album.”

The first taste of the new record — “Passage” — is a raw ballad with a classic rock flair. Du Rego’s gravelly vocals illustrate the anguish of a man enveloped in his own mental health struggles, crafted in an effort to show solidarity among all those fighting similar battles.

“’Passage’ is a song about the struggles of depression, mental health issues, and addiction; a song bringing awareness to the increasing rate of suicide in our communities that does not get talked about often,” Du Rego said. “I wanted to let people know that you are not alone in this fight. That many people from all walks of life — myself included — experience mental health issues and struggle with these on a daily basis. I wanted to send a message to look after each other and really communicate with one another, to see how the people in your circles are doing.”

Along with the rest of the record, “Passage” was mixed by 2-time Juno Award winner Kevin Dietz (The Glorious Sons , JJ Wilde), and mastered by Noah Mintz (Broken Social Scene, Billy Talent). Listen below!

WATCH: Get ‘Lost Among the Avenues’ with The Mad Sugars

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There’s nothing like falling in love underneath the bright city lights.

The Mad Sugars — who, you should know, just released their much-anticipated full-length album, Personal Space — give us that sweet feeling with the new music video for focus track, “Lost Among the Avenues.”

The video — shot by Nita Ann — takes us through popular Nashville haunts including Printers Alley and Sid Gold’s Request Room, as frontman Adam Lawrence sings about the adventure of embarking on a night on the town with a new flame.

Sonically, those who are familiar with The Mad Sugars will be happy with this one, as it’s another example of the band’s penchat for high-powered, highly danceable alt-rock. With that being said, there’s also a Killers-esque new wave sensibility that comes to the forefront, with radiant synths that shimmer like the city skyline on a clear summer night.

Get “lost” with this one below. It’s an experience you’ll never forget!

WATCH: Gloom Girl MFG Get Away with the Perfect ‘Crimes’

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Between Nashville’s established status as a country music mecca, and Music City’s ever-growing pop and hip hop ecosystem, the city’s rock scene often doesn’t get enough love here in 2024.

Gloom Girl MFG might be the band who changes that.

The high-powered punk quartet calls Nashville home, and they’re getting ready to release their EP, Polycrisis, on May 3. The lead single, “Crimes,” is out now — and it gets the whole thing off to an explosive start!

“Crimes” features relentless guitar riffs accompanied by a tight, swaggering rhythm section — calling to mind the edgy alt-punk heyday of bands like The Vines and The Hives. Meanwhile, the charismatic Paige MacKinnon establishes her undeniable presence, as she illustrates the raw complexities of our human experience.

“‘Crimes’ is about someone who’s right in the middle of an emotional explosion,” MacKinnon said. “They’re fed up trying to play the game of love as they see it. And through that we’re speaking to a truth about how intertwined our human experiences in the world are with the way we show love to one another. It can be messy and it can be beautiful too.”

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